Carrousel d’amour: La ronde Review

October 7, 2009

La Ronde

An irreverent, knowing look at casual sexual desire and infidelity in turn of the century Vienna, Max Ophul’s La ronde is a witty, frivolous bit of cinematic confection, realised in exquisite style, if ultimately somewhat inconsequential. Based on Arthur Schnitzler’s scandalous fin de siècle play Reigen, La ronde is surprisingly risque for its 1950 release date, being far more boldly suggestive than the Hollywood pictures typical of the era. Although less openly graphic than most contemporary movies, La ronde’s flippantly acquiescent stance towards promiscuous adultery still feels rather daring.

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